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Mann read it and “started immediately having ideas for scenes”, she says. She isn’t at all cagey in person, but funny and sharp as she reflects for two hours, until her stomach rumbles for breakfast.Ī few years ago, the film producers Barbara Broccoli and Fred Zollo approached Mann about writing the songs for a musical of Girl, Interrupted, Susanna Kaysen’s 1993 memoir about her institutionalisation in McLean psychiatric hospital, in Massachusetts, in the late 60s. “As I’ve gone on, it’s more interesting to see how my past experience can inform a song, but it’s not necessarily about me,” says Mann. Misunderstood by their label, the group ended, then Mann spent the 90s with her first three solo albums of brilliantly spiky, weary, erudite guitar pop mired in major-label politics, from collapses and buyouts to brazen apathy at what to do with a late thirtysomething classicist more akin to Randy Newman than Britney Spears.īy the millennium, Mann had quit to start her own label, SuperEgo, where she has remained, releasing wryly tragic character studies of people doomed to self-sabotage. With her shocked peroxide do, rat-tail plait and unyielding stare, Mann resisted sexual and commercial commodification. In 1985, Mann’s band ’Til Tuesday had a US Top 10 hit with their debut single, Voices Carry, a sublime new-wave anthem about the liability of expressing emotion. When it comes to her career, the 61-year-old songwriter has never been one for the hard sell. “I’ve actually bought several things from Instagram ads,” she says sheepishly. She admits, with a whaddaya-gonna-do shrug, that she bought the Alexa Chung garm off Instagram. “So it’s been hard to get going.” Drab weather demands good knitwear, and Mann has paired thick-rimmed round glasses the size of ashtrays with a brown woollen sweater vest. “It has that six-in-the-morning feel,” says Aimee Mann, eternally droll, from a home office wallpapered in fruity foliage. ** Single print order can either print or save as PDF.I n Los Angeles, it’s early and overcast. If "play" button icon is greye unfortunately this score does not contain playback functionality.
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Simply click the icon and if further key options appear then apperantly this sheet music is transposable.Īlso, sadly not all music notes are playable. In order to check if 'One Thing Remains (Your Love Never Fails)' can be transposed to various keys, check "notes" icon at the bottom of viewer as shown in the picture below. * Not all our sheet music are transposable. When this song was released on it was originally published in the key of C. Be careful to transpose first then print (or save as PDF). If your desired notes are transposable, you will be able to transpose them after purchase. If you selected -1 Semitone for score originally in C, transposition into B would be made. This means if the composers Words and Music by JEREMY RIDDLE, BRIAN JOHNSON and CHRISTA BLACK started the song in original key of the score is C, 1 Semitone means transposition into C#. If it is completely white simply click on it and the following options will appear: Original, 1 Semitione, 2 Semitnoes, 3 Semitones, -1 Semitone, -2 Semitones, -3 Semitones. You can do this by checking the bottom of the viewer where a "notes" icon is presented. Most of our scores are traponsosable, but not all of them so we strongly advise that you check this prior to making your online purchase. If not, the notes icon will remain grayed. If transposition is available, then various semitones transposition options will appear. In order to transpose click the "notes" icon at the bottom of the viewer.
#ONE THING REMAINS CHORDS DOWNLOAD#
After you complete your order, you will receive an order confirmation e-mail where a download link will be presented for you to obtain the notes.
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